Oct 21

Source close to Brown calls timing ‘purely coincidence.’
By Gil Kaufman





Rihanna and Chris Brown

Photo: Frank Micelotta/ Getty Images

Chris Brown is under a court order that requires him to stay from former girlfriend Rihanna. And while that order — one part of his sentence for an assault on Rihanna in February on the eve of the Grammy Awards — means that Brown has to keep a certain physical distance from his ex, there’s nothing to say that he can’t be professionally close to her.

That reality made for a strange situation on Tuesday, when Rihanna released her first new single since the incident, “Russian Roulette,”
just hours before Brown announced the dates of his “Fan Appreciation” tour.
Then, approximately 24 hours later, Brown dropped the second single from his upcoming Graffiti album, “Crawl.” Given the situation between the two since the altercation, the close proximity of their big career re-boot moves was curious to say the least.

While Brown’s label had no official comment on the timing of the activity from the former couple, a source close to the Brown camp denied that it was anything but “purely coincidental.” Given that both artists are releasing fourth-quarter albums and are on similar album/ tour/ recording cycles — both released their debuts in 2005 and a follow-up in 2007 — the source said the overlap was not planned at all. “We don’t have a copy of what [Rihanna's label] Def Jam is rolling out any more than they have one of ours.”

Rihanna’s single seems to obliquely reference the incident, with edgy graphics featuring the singer wrapped in barbed wire, a blood-dripping song title and her initial in gleaming-blade silver, not to mention the sounds of guns cocking and being fired and foreboding lyrics about a seemingly violent relationship.

While neither artist has commented on what their songs are about, Rihanna producer Chuck Harmony said people were bound to infer that the song is a commentary on the assault and her break with Brown. “Because that’s the newest situation,” he said. “It’s just a natural reaction for people to associate ’cause she’s been so tight-lipped.” At press time, a spokesperson for Rihanna had not responded to MTV News’ requests for comment.

Meanwhile, after posting pictures of himself in ninja gear on Tuesday, Brown rolled out the ballad “Crawl” on Wednesday, and the second salvo from Graffiti also appeared to be a reaction to the end of the couple’s relationship, albeit a softer-edged one.

The melancholy song features the lines: “Everybody see it’s you/ well, I never want to lose that view/ Everybody says we’re through/ I hope you haven’t said it, too.”

Tresa Sanders, a veteran music-business publicist who has worked with artists including Mary J. Blige, Jay-Z, and Common, said her first thought when seeing that Rihanna and Brown were crossing musical paths was that it was a coincidence. “I’ve worked inside at labels and outside of them and there are a lot of times when you really don’t know what the other labels are doing or when other records are coming out or what their marketing plan is,” she said. “Really, when you are in the middle of a plan and you’ve already set it up, there’s nothing you can do but go for it.”

Sanders, who has not worked with either act, said Rihanna’s team appears to have been working on the set-up for her Rated R album for many months, pointing to the singer’s cameo on the Jay-Z song “Run This Town” as the first glimpse of her look and sound for the next go-round. “That performance is so in line with what she’s doing now,” she said. “If it was me, it would just be business as usual. I wouldn’t do anything out of the ordinary that was not already in the plan. There’s no reason to switch up the game because they’re both successful artists and when you’re a big artist like that, your album tends to come out in the fourth quarter. That’s Music Industry 101.”

With both artists actively tweeting and teasing information about their new albums over the past few weeks, it’s not like their plans are a mystery. And while it’s not likely that they’re trying to coordinate their professional relationship amid the ashes of their personal one, it seems like their public lives are going to keep intersecting for the foreseeable future.

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Oct 21

Singer speaks with Angie Martinez on New York’s Hot 97.
By Jayson Rodriguez





Chris Brown

Photo: Elsa/ Getty Images

Chris Brown sported a bow tie for his appearance with Angie Martinez on New York’s Hot 97 on Wednesday (October 21) just like he did during his interview with Larry King last month, but the singer wasn’t nearly as choked up.

The Martinez interview was only his second media appearance since he pleaded guilty for his involvement in a
physical altercation with Rihanna in June. His first, with King shortly after his sentencing, revealed Brown was not ready to speak openly about the ordeal as he deflected a majority of the CNN host’s questions. With Martinez, the singer was more relaxed, though the radio personality was just as pressing as King.

“There’s no way to start this without being awkward,” Martinez said, before asking Brown how people should feel about the singer.

“Honestly, with me, it’s not a thing about how you should feel,” he explained. “Just be human. Because at the end of the day, I’m human. Of course you’re gonna have your thoughts and opinions. I’m not gonna say they’re wrong. But at the end of the day, it’s not right to judge someone. People make mistakes all the time. I’m learning from my mistakes everyday and I regret it every second.”

Brown spent just over an hour on Hot 97 as he addressed a number of topics, from the bruised photos of Rihanna to the people who reached out to him in the wake of the incident, and what advice he’d give young couples in serious relationships.

He surprised Martinez when he revealed Will Smith was one of the people who reached out to him in the aftermath of the altercation. Brown said Smith offered advice, and said the gesture came when he needed it most. “As a young black man myself, I need older black male role models to step in and kind of mold me — not people bashing me, ’cause that’s not how you learn from mistakes,” he said.

Brown didn’t directly address what occurred between him in Rihanna in the car. Martinez pressed and asked the singer if he was also injured as a result. He denied that he was, but like in his CNN interview, Brown said he didn’t want to speak in detail for the sake of Rihanna’s privacy and his. He was remorseful throughout, however.

The Hot 97 jock asked Brown what advice he’d give to a troubled couple in a situation where anger was mismanaged. Brown said he’d tell them to take a look at what he’s gone through.

“I would say, point blank, definitely learn from my mistakes,” he urged. “Learn from what you saw Chris Brown’s take on it was. If you’re young, everything isn’t as serious as it amounts to. I feel like people wanna grow up so fast and be adults. Just live your life and be you. If it’s physical, take some classes. Counseling is great. It doesn’t mean you’re crazy, you’re just working on you.”

Go here for domestic-violence resources, or check out Think MTV for a video handbook on spotting the warning signs of abuse.

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Oct 17

Previously unreleased track will appear on ‘DJ Hero: Renegade Edition.’
By Shaheem Reid





Eminem

Photo: Michael Loccisano/Getty Images

“DJ Hero: Renegade Edition” will be in stores in less than two weeks, but one of the marquee items that comes with the game, a new Eminem record called “Taking My Ball,” hit the Internet on Friday.

“It feels so wrong, ’cause it feels so right,” he raps on the chorus. “But it’s alright/ It’s OK with me/ I’ll do my steps/ All by myself/ I don’t need nobody to come play with me/ But if you just give me a chance/ I can put you in a trance the way I dance/ But don’t nobody wanna play with me/ So I’m taking my ball and going home.”

Throughout the record, Slim Shady addresses female celebrities such as Kim Kardashian and comes with his off-the-wall rhyme scenarios, like being a cannibal and placing coins in a certain part of his body.

“They call me the Fruit Loop from Jupiter,” he declares in the second verse. Em also references Mischa Barton, Tara Reid and a former talk-show host: “Mosey on over to Rosie O’Donnell’s/ With McDonald’s/ Jump in her lap/ And watch ‘The Sopranos.’ ”

In his last verse, Em talks about a famous political figure.

“They’re afraid I might get Sarah Palin by the hair,” he says in the last verse. “And make her get in a bathing suit/ And take her parasailing/ ‘Shady, why you gotta pick on the lady for?/ Why you make her read 84 bedtime stories to you in baby talk?’ ”

“DJ Hero: Renegade Edition” comes out October 27 and features some of Eminem’s and Jay-Z’s biggest records, including “Lose Yourself” and “D.O.A.”

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Oct 14

‘I was 9 when that happened, so it didn’t really affect me,’ MC says of Shakur’s death.
By Shaheem Reid





Drake

Photo: Kevin Winter/Getty Images

Drake said, unequivocally, he isn’t dissing Tupac Shakur on “Fear.” He’s just pointing out that he was too young to fully feel the impact of the music icon at the time of his passing.

“I never cried when ‘Pac died,” Drake raps on the song from his So Far Gone EP. “But I probably will when Hov does/ And if my tears hold value, then I would drop one for every single thing he showed us/ And I’ll be standing in a puddle.”

Recently calling in from Toronto, Drake explained his lines.

“A lot of people also sort of don’t understand the meaning of that line,” Drake said. “It’s not necessarily that I don’t love West Coast hip-hop or that I don’t love ‘Pac now that I’m 22, but that line was just said to show how new I am to hip-hop. And like I said, I was 9 when that happened, so it didn’t really affect me. But that song in general was just one of those things that took awhile to finish because it was an opportunity to say a lot of the things on my mind. That always feels good as a rapper, when you can get your thoughts out.”

Billboard recently reported that the first single from Drake’s debut LP, Thank Me Later, will be “Shut It Down,” featuring The-Dream. The song won’t drop until January.

“It’s sexy. It’s slow, but there’s an energy to it,” he told Billboard. “I rap on it. Me and Dream both sing on it. It’s cool. It also has a message that’s never really been explored by male singers. This song is sort of like an anthem for women, like pre-the club. It’s like an anthem for you to be at your house with your girlfriends getting ready, what you listen to before you get there. It’s a song for the non-famous woman to make her feel special and just to let you know that even though I’m up here and have the option to mingle with these ‘upper-echelon’ women, if you will, that sometimes I’d rather be with the girl from back home or a student or a girl that works at Wal-Mart. They don’t have to be a star or rich or anything like that; that’s kind of the gist of the song. It’s an empowering song for all women.”

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Oct 14

Baby will be Weezy’s third son to be born in just over a year.
By Jayson Rodriguez





Lil Wayne

Photo: Chris Polk/ FilmMagic/ Getty Images

Lil Wayne recently confirmed in an interview with the BBC’s Tim Westwood that he and R&B singer Nivea are expecting a son.

If all goes well, the baby will be Lil Wayne’s third son to be born in just over a year. He and actress Lauren London welcomed a baby boy
last month, and in October of last year, while accepting a BET Hip-Hop Award, Wayne announced to the crowd he was expecting his first son in a matter of days.

Wayne did not provide many details about the impending birth in the BBC interview.

“Two girls pregnant at the same time?” Westwood said.
“Congratulations.”

Wayne responded “Three,” before clarifying his remark for Westwood, who thought the rapper meant he’d gotten three women pregnant at the same time.

“I mean [I'll have] three sons,” he explained.

When Wayne was asked if Nivea was expecting, he responded, “Yessir.”

The casual announcement was similar to Wayne’s confirmation of London’s pregnancy, which he also revealed during a radio interview, with Los Angeles’ Power 106.

Rumors of Nivea’s pregnancy have been rampant for months (the singer and former husband The-Dream filed for separation in December of 2007), but no official comment emerged. In a recent clip that appeared online, a visibly pregnant Nivea participated in a baby shower — judging by appearances, the baby is due soon.

A representative for Lil Wayne had no comment when contacted by MTV News; a rep for Nivea was unable to be reached at press time.

The baby will be Lil Wayne’s fourth child, although information about the children and their mothers is sparse.

In addition to his son with London and the son that was born last year (to an unidentified mother), the rapper has an older daughter, Reginae, with his ex-wife Antonia “Toya” Carter.

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Oct 12

Val from California wins autographed Humanoid T-shirt, video message from band.
By James Montgomery





Tokio Hotel’s Bill Kaulitz

Photo: Miguel Villagran/Getty Images

Last week, when MTV News announced we were partnering with the guys in Tokio Hotel for a very special contest, we figured we’d be inundated with videos of screaming, spiky-haired fans extolling the virtues of the Kaulitz Brothers.

And we were (to be fair, we did request clips with “costumes, tears, squealing and Bill Kautliz-esque hairstyles) — and we also got loads of amazing, incredibly creative videos, too. Hundreds of them, in fact, from Tokio Hotel fans of all ages, from all corners of the globe. It’s not a stretch to say that, at the moment, TH are one of the world’s the most popular bands — or at least one with the most loyal fans.

Anyway, here’s a quick refresher on the criteria: We were looking for the best, most creative review of Tokio Hotel’s new Humanoid album, with the winning entry receiving an autographed TH T-shirt and a personalized video message from the band. And boy did we get some memorable entries: toddlers with Mohawks, raccoon-eyed girls pretending to make out, Bill Kaulitz dopplegangers, Tom Kaulitz dopplegangers. Fans begged and bargained, they reviewed fast and slow — or sometimes not at all. Choosing a winner was beyond difficult, but finally, after hours of video, we found the best:

Val from California, congratulations: You’ve won our Tokio Hotel contest!

Why did we choose Val’s video? Well, for starters, it made us laugh; secondly, it was an actual review of the album; and third, we liked how she put on a pair of glasses to appear sufficiently “rock critic-y.” Way to know your judges, Val!

So again, nice job, Val. You can expect your T-shirt any day now. And thanks again to everyone who entered the contest … we were honestly blown away by your creativity and dedication to Tokio Hotel. They’re a lucky bunch of guys to have fans like you.

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Oct 12

Song showcases MJ’s often-overlooked talent as a singer.
By James Montgomery





Michael Jackson rehearses for his “This Is It” tour

Photo: Kevin Mazur/AEG/Getty Images

Michael Jackson was a hell of a singer.

I only say this because to the casual music fan, it might not be apparent. Whether it was because so much about him — his dance moves, his style, his swagger — was so dynamic, or because he rarely spoke above a whisper, or even because he frequently peppered his verses with vocal ticks (like those oft-imitated “Hee-hee’s”), Jackson remains one of the most underrated vocal artists in music history.

And that’s a shame, because his voice was a wondrous thing, capable of reaching both towering heights (the final verse of “Rock With You”) and depths (”Childhood”). It was technical, but it was also decidedly human, too, full of pump-priming rage (”Man in the Mirror”) one minute, tethered tenderness the next (”She’s Out of My Life”). It was a finely tuned instrument that, when unfurled, revealed all the pain and frustration and joy of Jackson’s life … a window inside the man’s soul. It could stop you in your tracks and raise the hair on the back of your neck. It was something to behold.

But don’t take my word for it. Just listen to “This Is It,” the title track to Jackson’s posthumous concert-film/double album that premiered at midnight on Monday (October 12). Because if anything, it’s reinforcement of my original point: Jackson was a powerhouse vocalist.

The origins of the song may remain cloudy — it was reportedly written in 1980, in the fertile period between Jackson’s Off the Wall and Thriller albums, and recorded in the mid-to-late ’80s, in between the Bad and Dangerous albums — but really, none of that really matters: “This Is It” is a prime showcase for Jackson’s prodigious pipes, which means that the best way to experience it — indeed, the best way to pay tribute to the man and his music — is to turn the volume up, sit back, and just listen.

Ignore the trilling strings, and the soft-jazz/light-funk backing track (which sort of make the song sound like Off the Wall’s “I Can’t Help It.”) Block out the hype surrounding the song’s release and the drama surrounding Jackson’s death. Focus on those vocals — the way Jackson counts it in with a boyish “one, two, three, four,” the way he glides from verse to verse with breathless, effortless phrasing, the lean-yet-heavy falsetto, the hint of gravel (and gravitas) is the verses, the soaring choruses — it’s all there, untarnished by time or tabloids. And it’s all wonderful.

In a lot of ways, “This Is It” might be the perfect Michael Jackson tune. And by that I mean, while it’s by no means his best, or his most memorable, it might be his most representative. It’s a mixture of his yearning early years and his messianic later period, and it shines a light on the best aspects of both: His voice.

Because, just in case you weren’t aware, Michael Jackson was a hell of a singer.

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Oct 11

Young Jeezy, Gucci Mane, a reunited Goodie Mob and other hometown greats also perform at the show, held at the Atlanta Civic Center.
By Shaheem Reid





Ice Cube arrives at the 2009 BET Hip Hop Awards

Photo: Frank Micelotta/ Getty Images

ATLANTA — At the Atlanta Civic Center, Young Jeezy — who often has high-profile guests to join him onstage — pulled off a huge move during the BET Hip-Hop Awards, kicking off the show by bringing out surprise guest Jay-Z. Hov and Young opened the show with “As Real As It Gets,” with the two hip-hop heavyweights going back and forth on verses. With the audience on their feet by song’s end, Jeezy said, “Welcome to Atlanta.”

Jay later took home the MVP of the Year award, beating out such popular peers as Lil Wayne and Drake. Hov dedicated his win to Mr. Magic, Snoop Dogg and Ice Cube. “Brooklyn, we did it again,” he said at the conclusion of his brief speech.

Other big winners announced during the show were Drake for Rookie of the Year and DJ AM for DJ of the Year.

Busta Rhymes stood in for the turntable great, who passed away in August. “I’m honored to accept this,” he said. Rhymes also saluted his recently deceased personal DJ, Roc Raida, and pioneer Mr. Magic who formatted his New York radio show with 100 percent hip-hop in the 1980s.

DJ Drama was the house DJ, with DJ Khaled serving as the show’s MC. Mike Epps, the show’s host, did a short stand-up routine as he cracked the mic, clowning on everyone from Lil Mama to Snoop Dogg. And after Faboulous performed “Throw it in the Bag” and its remix with The-Dream, the crowd was treated with some throwback flavor.

As Fonzworth Bentley and the New Boyz announced the nominees for Rookie of the Year, legendary hip-hop duo Kid ‘N Play made their way onstage. The Boyz had proclaimed to be rap’s first two-man team to dance as well as rock the mic, prompting Kid ‘N Play’s entrance to “Rollin’ With Kid and Play” to perform their signature dance.

One of the standout stars of the show was ATL’s Gucci Mane, who performed several times throughout the night, changing into outfits that included his snow-white fur and jewelry pieces like his outrageous iced-out egg beater. Gucci first came out with Mario for “Break Up” and then took over the stage, bringing out Plies for “Wasted.” Gucci also appeared with Soulja Boy, OJ Da Juiceman and a umbrella-toting Shawty Lo for “Gucci Bandana.” Mr. Mane’s night ended with Wale as they performed the stage debut of “Pretty Girls.”

Snoop Dogg also logged multiple stage appearances, debuting his own new record, “Gangsta Luv,” with The-Dream (transitioning into a finale of “Gin and Juice”) and keeping the crowd on their feet during a surprise highlight, Dorrough’s “Ice Cream Paint Job” remix — a remix that included the song’s star as well as Jim Jones, Soulja Boy and Nipsey Hussle.

Ice Cube was honored with the I Am Hip-Hop award, with an introductory video that included a voice-over from Dr. Dre. “From that first rhyme he spit for me, I knew Cube was a star,” Dre said. The award was presented to the former N.W.A member by Young Jeezy and Cube’s favorite MC, Chuck D.

“Without Chuck D, we’d be on a real bad collision course,” Cube said in his speech. The legendary trailblazer also called for the hip-hop nation to do “what we feel” and encouraged old b-boys to “keep doing your music” and not let anybody push them out. “As long as you got a tongue, you’re not too old to rap,” he added.

During breaks, BET showed videotaped packages of their now-famous “cypher” rap sessions. DJ Premier played a beat while three sets of MCs rapped. The first set included KRS-One and Wale, while the second set showcased Joe Budden and Nicki Minaj. The rhyme of the night went to Eminem, however — his session included Black Thought and Mos Def. Em hit a rapid-fire flow that addressed everything from sex to Barack Obama.

Veterans the Goodie Mob ended the night with powerful, high-octane renditions of their classics “Cell Therapy” and “Get Rich to This.” It was the group’s first televised reunion after nearly a decade apart and had the entire audience singing along in their hometown.

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Oct 9

The track, from the upcoming documentary ‘Michael Jackson’s This Is It,’ features backing vocals by MJ’s brothers.
By Gil Kaufman





Michael Jackson rehearses for his “This Is It” concerts

Photo: Kevin Mazur/AEG/Getty Images

“This Is It,” the first single from the upcoming documentary “Michael Jackson’s This Is It,” will debut online Monday at midnight. The new song, featuring backing vocals by the late pop star’s brothers, will get its world premiere on MichaelJackson.com.

The track will appear on a two-disc set due October 27 that features master versions of some of Jackson’s biggest hits in the sequence they appear in the film. The movie will play a limited two-week engagement in theaters worldwide beginning October 28.

“This Is It,” which Rolling Stone reports was recorded during the sessions for Jackson’s 1991 album Dangerous, will appear on the album in two versions. The collection will end with the recorded version of the song — which plays during the closing sequence of the movie — as well as an orchestral version, both previously unreleased. Another rarity, the recently discovered spoken word poem, “Planet Earth,” will also be featured on the collection.

Disc one of the set features the songs: “Wanna Be Startin’ Somethin’,” “Jam,” “They Don’t Care About Us,” “Human Nature,” “Smooth Criminal,” “The Way You Make Me Feel,” “Shake Your Body (Down to the Ground),” “I Just Can’t Stop Loving You,” “Thriller,” “Beat It,” “Black or White,” “Earth Song,” “Billie Jean,” “Man in the Mirror,” “This Is It” and “This Is It (Orchestra Version).”

Disc two has early demo versions of the classics “She’s Out of My Life,” “Wanna Be Startin’ Somethin’ ” and “Beat It,” as well as “Planet Earth”; all the recordings on the second disc are previously unreleased. The collection will come with a 36-page commemorative booklet with exclusive photos from Jackson’s final rehearsals.

The soundtrack will complement the eagerly anticipated film, which was culled from more than 100 hours of footage of Jackson’s final rehearsals for his planned 50-show comeback residency stint at the O2 arena in London. Jackson died on the eve of the residency June 25 of an overdose of the surgical anesthetic propofol.

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Oct 6

‘I can personally attest to his commitment to New York and the impact he has on New Yorkers of all ages,’ he says.
By Shaheem Reid





Jay-Z

Photo: Ethan Miller/ Getty Images

The feedback on our 2009 Hottest MCs in the Game list has been tremendous since we started to reveal our picks last Monday. We started off with Raekwon the Chef at #10, and Jay-Z finished the list as the #1 Hottest MC right now.

On Monday night, MTV News received an e-mail about the list from New York Governor David A. Paterson, who applauded Jigga’s crowning.

“Jay-Z is not only an outstanding hip-hop artist, but a dedicated philanthropist as well,” Paterson said in a statement. “Having just attended his September 11th benefit concert in Madison Square Garden a few weeks ago, I can personally attest to his commitment to New York and the impact he has on New Yorkers of all ages. He is most definitely deserving of the top MC of 2009 title.”

A few weeks ago, before the Hottest list came out, Paterson gave his personal criteria for what he thought made a hot MC.

“I think these days, since hip-hop is now nearly 30 years old, that it’s the creativity,” he said. “There are too many people who think you become successful by mimicking what others have done, and I think every performer starts out with a favorite, but it’s those people who blaze new trails that I think are the MCs of the future.

“I also think that the MC that figures out that people 18 and older who got the right to vote in 1972 never exercised it till 2008 — there’s a real culture for discussing how our government works and how our society works,” he added. “The MC who could blaze that trail and find a creative way of displaying it will be the MC of the next decade.”

What do you think of our Hottest MCs in the Game list? Upload your comments, reactions, arguments and/or your own list to Your.MTV.com — the best videos could be on TV!

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